Dremel bits
Question: Got a new Dremel for Xmas. Would like to learn BASIC woodcarving with this tool. My grandsons names carved in a walking stick, maybe a simple design, stuff like that. Could you suggest what type of bits I can get to begin learning and practicing this stuff??? Thanks. Bill
Answer: Hi there Bill, I am always interested in helping a new carver on his way. Dremel is a great little tool. They actually make carving bits for the dremels. I have used my dremel extensively and find I need to replace the unit every 2-3 years, and believe me thats good, as I punish my dremel, having it go for hours on end. In addition to the bits, I suggest 2 things to make your life easier. First get a keyless chuck (under $10)
CHUCK
http://www.dremel.com/en-us/attachments-and-accessories/attachment-accessory-det
to make changing the bits easier and second, get yourself a flexible shaft. This should be your most expensive accessory at around $20 but trust me, if you're planning on carving, you will definitely want one. instead of holding the unit(which is heavy, clumsy and hot after awhile) you can hold the hand unit of the flex shaft which is like holding a thick pen and you will be able to comfortably carve at any angle.
FLEXSHAFT
http://www.dremel.com/en-us/attachments-and-accessories/attachment-accessory-det
I have included the links below to my favorite carving bits. Buy at stores where they sell genuine dremel bits so you don't have to worry about quality. they are cheap enough.
First bits I recommend are the high speed cutters
HIGH SPEED CUTTERS
http://www.dremel.com/en-us/attachments-and-accessories/attachment-accessory-gro
I find the following 4 bits to be the most useful 117,134,144 and 191
Next I recommend the Structured Tooth Carbide Cutters which can remove wood quickly. They leave it rough but they are great if you need to waste a lot of wood. With these I recommend 9931, 9933, and 9934
CARBIDE CUTTERS
http://www.dremel.com/en-us/attachments-and-accessories/attachment-accessory-gro
I also like to use grinding stones
GRINDING STONES
http://www.dremel.com/en-us/attachments-and-accessories/attachment-accessory-gro
They smooth and shape rather than carve and work well to clean up your carving. They also have sanding bits but the grinding stones work better in my opinion.
Carbide-tipped bits: more expensive than other bits, but they stay sharp much longer than steel, high-speed steel or titanium bits.
As for how narrow bits are......I can't find info on exact sizes. I can tell you dremel makes some extremely small cutters but when you get into dental and industrial bits they are measured in microns, something no carver should ever need. Honestly it is just the tip you need to worry about and almost any bit that comes to a point will suit your purposes.
Of course what bits you decide on will depend on the actual project you are undertaking as each type of bit is available in different sizes and shapes. On the dremel site is a store locator, use it to find the bits in your area. You will want to eyeball them to see that they suit your purposes. Warning! Warning! Warning! Be careful here, once you get into the world of dremel accessories, you most likely will become addicted to checking out and buying all the different bits available. Even dental and industrial bits will work in the dremels. Once you become familiar with the bits and know what they will do, You can go on ebay and find bits at very good prices, especially the grinding stones which needn't be actual dremel brand. There are even genuine dremel bits on ebay. Good luck with your lettering and feel free to stay in contact with me. You can reach me thru my website www.carvinginnyc.com I am never too busy to help a fellow carver. thanks for an interesting question and have a great day. Maura
I am always interested in helping a new carver on his way. Dremel is a great little tool. They actually make carving bits for the dremels. I have used my dremel extensively and find I need to replace the unit every 2-3 years, and believe me thats good, as I punish my dremel, having it go for hours on end. For all the following info go to dremel.com and veiw their digital catalogue. You can most likely just put the item number in their search box......as for particular sizes, I suggest you find the dremel section of your local hardware store and eyeball the bits you buy......your definition of small may be different than mine.....In addition to the bits, I suggest 2 things to make your life easier. First get a keyless chuck (under $10)
In the online catalogue #4486
to make changing the bits easier and second, get yourself a flexible shaft. This should be your most expensive accessory at around $20 but trust me, if you're planning on carving, you will definitely want one. instead of holding the unit(which is heavy, clumsy and hot after awhile) you can hold the hand unit of the flex shaft which is like holding a thick pen and you will be able to comfortably carve at any angle.
FLEXSHAFT #225-01
I have included the links below to my favorite carving bits. Buy at stores where they sell genuine dremel bits so you don't have to worry about quality. they are cheap enough.
First bits I recommend are the high speed cutters in carving and engraving
HIGH SPEED CUTTERS 121and 124
Engravers 105 and 107 are quite small for detail....eyeball in person as you may want bigger
Next I recommend the Structured Tooth Carbide Cutters which can remove wood quickly. They leave it rough but they are great if you need to waste a lot of wood. With these I recommend 9931, 9933, and 9934 but please eyeball these as they are great for general wood removal but may be too aggressive for your purposes
Tungsten CARBIDE CUTTER 9910
I also like to use grinding stones for sanding rather than dremel sanding bits which are too rough for a finish desired by a carver
Aluminum oxide GRINDING STONES 945 and 953
They smooth and shape rather than carve and work well to clean up your carving.
Carbide-tipped bits: more expensive than other bits, but they stay sharp much longer than steel, high-speed steel or titanium bits and can be used on harder woods and other materials.
As for how narrow bits are......The exact sizes are included on the dremel site but I can't stress enough how important it is to eyeball the sizes in person until you become more familiar with the bits. I can tell you dremel makes some extremely small cutters but when you get into dental and industrial bits they are measured in microns, something no carver should ever need. Honestly it is just the tip you need to worry about and almost any bit that comes to a point or almost to a point will suit your purposes.
Of course what bits you decide on will depend on the actual project you are undertaking as each type of bit is available in different sizes and shapes. On the dremel site is a store locator, use it to find the bits in your area. You will want to eyeball them to see that they suit your purposes. Warning! Warning! Warning! Be careful here, once you get into the world of dremel accessories, you most likely will become addicted to checking out and buying all the different bits available. Even dental and industrial bits will work in the dremels. Once you become familiar with the bits and know what they will do, You can go on ebay and find bits at very good prices, especially the grinding stones which needn't be actual dremel brand. There are even genuine dremel bits on ebay. Good luck with your lettering and feel free to stay in contact with me. You can reach me thru my website www.carvinginnyc.com I am never too busy to help a fellow carver. thanks for an interesting question and have a great day. Maura
Killing Time and Slaying Dragons
The scattered chips of a woodcarver and other weighty matters.
Tuesday, April 15, 2014
Friday, May 25, 2012
Leather-craft and patterns
Please visit my full website at: www.carvinginnyc.com
A new carving underway
Went into my wood stock the other day and came away with a really nice slab of black walnut. I know what I will do with it. There are a couple of ways a carving usually comes about. There are those times when a piece of wood calls to you. It whispers into your minds ear and tells you what it will become. Other times you will find something you wish to create and then search out the right piece of wood for the project. This will be one of the latter types.
Every now and then I set out to do a carving just for myself. Most of the time I am busy doing carvings as gifts or because they have been requested by family or friends. So now when I do a piece for myself, I try to do a "wow" piece. In my everyday life I come across images which inspire me and I keep them in a file stored on my computer. I have long admired the designs used in leather craft and I think they easily cross over into woodcarving. They are almost very shallow relief carvings. This particular design is a leafy swirly pattern with a textured background. It will be my first carving which uses leather craft as its inspiration. In my mind's eye I am picturing myself transforming this design into a deep relief with lots of undercutting which will give the finished carving great shadowing and make it interesting to the viewers eye.
© Jim Linnell
In my early carving years, I simply would have used it and given it no thought, but now that I consider myself an artist I am mindful of other artists copyrights. I routinely make my own original designs these days but every now and then I come across a design that is so appealing to me, I just want to use it to make a carving from. I did my research and found out whose design it was. His name is Jim Linnell. I sent him an email asking his permission to use it as a basis for my next carving. He said me choosing his work was quite flattering and he gladly gave his permission. I will keep a copy of the email for my records.
Using a photo program, I re-sized the pattern at 16"x23" using 16" as a base since that is the width of the walnut slab. I asked a friend of mine to cut the slab of walnut to match the 23" length that the pattern will require. I will get the panel back in a few days and then the carving will get underway.
Black walnut 16"x23"
I have printed out the pattern to the correct size using my home printer. I have taped the pages together to form 1 large pattern. |
I have taken the corner and removed the first piece of wood to set the depth of the rest of the carving. This wood is 1" thick. The general rule of a deep relief on panel is the go halfway into the wood, thereby allowing the wood to retain its strength which will discourage any future warping. The larger a piece of wood, the more noticable its reaction to the relative humidity of its surroundings can be. Sometimes wood can act like a sponge and absorb good amounts of the water in the air which can slightly change its size and shape. |
Using a depth-gauge, a tool any relief carver should have in his/her arsenal, I have set the depth of this background at 1/2" |
Here is what a proper stop-cut should look like. It should ride just shy of the pattern line into the waste wood. the red area will be removed. |
All the waste areas have now been cut away. It is time to do what I consider the "fun part", the shaping of all of the forms |
The first cut is made with the v-tool around the center of the flower |
The purpose of this cut is to protect the center part of the flower when carving the petals in towards the center. |
I then move on to the rest of the flower, separating each petal. |
The actual shaping is done using gouges. here I am using a #7 gouge which will create a deep curved surface which the light will play off of. |
Here you can see that the petal now has a shape to it. |
The center button is now formed and pushed further back into the wood. |
The broad leaves are now shaped using #5 and #7 gouges |
The stems are shaped and played with as an acanthus form. Acanthus carving is a very old form of carving originating with the ancient Greeks. It is a stylized (rather than realistic) form of leaf and stem carving which creates flowing forms. |
The rest of the carving is now being worked on. Each main form is separated from the next by using the v-tool. |
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Sunday, May 20, 2012
pierced relief swag step by step
pierced relief carving step by step
drawing out design
After looking at approx 20 different examples of this type of work, I
drew out my original design, directly onto the wood. It will be a floral
design, with petaled flowers, buds, leaves and tendrils. In free-handing
this design i worked from the center out and mirrored the image on both
sides. I tried to keep the tendrils connected as much as possible to the
rest of the work to give maximum support to the delicate hanging
tendrils. (35 min work)
color coding
In order to ready it for the scroll saw work, I color coded the design,
black was the area of the design that would be cut around and red were
the areas to be certain not to cut out. (5 min. work)
design completed
this is the final design, ready to be cut on the scroll saw.
Drilling guide holes
Using my drill press, I then drilled holes into all places that would
require interior cuts. (you can use a hand drill to do this, being
careful to keep the bit 90o vertical to the board) interior cuts cannot
be accessed from the edge of the board. Holes are drilled so that the
scroll saw blade can be inserted and the inside areas cut out. (5 min.
work)
cutting away the waste
using a scroll saw, I selected a size 3 spiral blade. Spiral blades must
be used for the piercing as the work is too large for the 16" capacity
of my scroll saw. spiral blades allow you to cut in any direction. All
interior cuts must be made first to give support to those pieces so they
don't break off. next step is to cut all the exterior waste off.
(interior-1.25 hr work, exterior- 1.75 hr work)
waste removed
at this point all of the waste, interior and exterior has been removed.
The final demensions are 32" long, with the arch being 6" wide
close-up
close up of final pattern now ready for carving. from this point on, the
carving will be very delicate to work with because there are a lot of
unsupported tendrils. I will lay it flat out on top of my workbench for
the carving, using an anti-slip mat under it so that it will not require
clamping down. using clamps at this point would likely break off some
of the unsupported tendrils.
carving tools selected
as this will be a delicate carving I have selected small hand tools to
do the job. Left to right: #5 gouge, #7 gouge, #1 bent gouge, sloyd
knife, 60o v-tool and a #3 fishtail gouge. After selecting tools 1st
step is to hone them so that they will slice thru the wood cleanly. They
will be honed repeatedly over the course of the carving stage. this is
an important step in this carving as any unneeded pressure will break
off the delicate pieces.
begin carving
first step is to use a v tool to separate all flower petals, leaves,
buds and tendrils. I will start carving at the strongest points of the
carving, working my way down to the most delicate pieces, allowing those
pieces to be supported as long as possible
carving the pansy
gouge out the center of each petal
make a stop cut around the center mound
gouge out 1/4 of each petal in towards the center
round over the outside edge of each petal
round over the center mound
redefine the valley between each petal using a v-tool
using a gouge round over the top of each half of the petals
using a knife, make a v cut between each petal to define the separation
using a knife clean out and define area between the petals
clean up area around center mound
using a v-tool, put 2 or 3 wrinkle lines into bottom 1/3 of each pedal, working in to center
Carving The Daisy
after making a stop cut around the center mound, gouge out about 1/4 of each petal, going down and into the center
Round over the edges of each petal
round off the last 1/4 of each petal and then shape the sides of the petal
round off the top of each petal
do another stop cut around center mound
clean up the center mound
round over center mound
redefine the valley between the petals using the v-tool
using a knife, make a very steep v cut which will separate the petals more
redefine edges of petals going deeper in the area between each petal
finished daisy
texturing the button
using a nail, gently tap in many random spots on center mound to create texture. Texture the buttons on all the pansies and daisies
Carving the leaves
Gouge out a section approx. halfway on the leaf. This will give a wave to each leaf.
leaf gouged out
after making a stop cut along the edge of the petal, gouge out 1/4 of leaf in towards the flower
using a gouge remove the end of the leaf
round off and shape each leaf
after rounding the leaf over use either a knife or small v-tool to make veins. make a curvy line down the center of each leaf and then make veins from the center line out to the edges angled to the tip of the leaf
pansy and leaves carved
carving the bud
first shave off 1/2 of the edge from center out to tip of bud, then make a stop cut along base of bud
gouge out stem into base of bud
round off base of bud
round over top of bud
using a v-tool, make curvy line from base to tip of bud
carving the tendrils and bud stems
Make a stop cut where stem attaches to flower
gouge out stem in towards flower, remove enough wood so that the level of the stems and tendrils are lower than the flowers and buds
make stop cuts wherever tendrils meet each other and where they meet flowers
round over stem working in towards flower
completed bud stem
continue rounding over all stems and tendrils
cleaning up the carving
this is much to delicate a piece to do any hand sanding on. I have cleaned it up using rotary power tool with a fine ceramic pointed stone
tendrils and bud stems completed
I used a different stain on each part of the design
carving stained
painting
I used thinned water colors to tint the carving
completed caving
carving mounted over archway
...................................................................
Of all, this is truly my favorite! A lot of work with the scroll saw
and hand tools, but the paint job to achieve the colors are what amaze
me. Almost like a stain glass look. Really nice job on the whole
project.
Oct. 26, 2008 By: banjo52us Delete
A very nicely done carving and an excellent tutorial
Jun. 8, 2007 By: Charles Hand Delete
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